{"id":58619,"date":"2024-01-27T09:27:56","date_gmt":"2024-01-27T06:27:56","guid":{"rendered":"https:\/\/www.turkishpost.net\/ar\/?p=58619"},"modified":"2024-01-27T09:27:56","modified_gmt":"2024-01-27T06:27:56","slug":"konyanin-tarihi-tekel-binasi-sanat-galerisine-donustu","status":"publish","type":"post","link":"https:\/\/www.turkishpost.net\/ar\/konyanin-tarihi-tekel-binasi-sanat-galerisine-donustu\/","title":{"rendered":"Konya\u2019n\u0131n tarihi Tekel binas\u0131 sanat galerisine d\u00f6n\u00fc\u015ft\u00fc"},"content":{"rendered":"

(The Turkish Post) \u2013<\/strong> Konya B\u00fcy\u00fck\u015fehir Belediyesi, \u015fehir merkezinde bulunan 18\u2019inci y\u00fczy\u0131l yap\u0131s\u0131 olan ve Cumhuriyet d\u00f6neminde Tekel binas\u0131 olarak kullan\u0131ld\u0131ktan sonra uzun s\u00fcre at\u0131l kalan tarihi yap\u0131y\u0131 restore ederek, k\u00fclt\u00fcr hayat\u0131na kazand\u0131rd\u0131. Konya\u2019n\u0131n me\u015fhur Alaaddin Tepesi\u2019nin kar\u015f\u0131s\u0131nda konumlanan yap\u0131 art\u0131k \u2018Depo No 4\u2019 ad\u0131yla, Konya\u2019n\u0131n en kapsaml\u0131 galerisi olarak sanatseverlere hizmet edecek. Konya B\u00fcy\u00fck\u015fehir Belediye Ba\u015fkan\u0131 U\u011fur \u0130brahim Altay\u2019\u0131n Sel\u00e7uklu ba\u015fkenti Konya\u2019n\u0131n medeniyet birikimini bug\u00fcne kazand\u0131rmak amac\u0131yla hayata ge\u00e7irdi\u011fi \u2018Dar\u00fclm\u00fclk \u0130hya Projesi\u2019 kapsam\u0131nda \u015fehre kazand\u0131r\u0131lan galerinin ilk sergisi ise, bu fikri sanatla bulu\u015fturan \u2018medeniyet kur\/an \u015fehir\u2019 oldu. K\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc Yasin T\u00fct\u00fcnc\u00fc\u2019n\u00fcn \u00fcstlendi\u011fi, ard\u0131nda 100 ki\u015filik bir ekip \u00e7al\u0131\u015fmas\u0131 yer alan \u2018Depo No 4\u2019\u00fcn ilk sergisinin a\u00e7\u0131l\u0131\u015f\u0131 26 Ocak\u2019ta ger\u00e7ekle\u015fti.<\/p>\n

Konya\u2019da Sel\u00e7uklu d\u00f6neminde in\u015fa edilen \u0130nce Minare\u2019nin kap\u0131s\u0131nda yer alan \u2018zengi d\u00fc\u011f\u00fcm\u00fc\u2019 s\u00fcslemesinin repred\u00fcksiyonu sergide \u2018Anakart\u2019 ad\u0131yla izleyiciyle bulu\u015fuyor. Eser, medeniyetin b\u00fct\u00fcn kodlar\u0131n\u0131 ta\u015f\u0131yan bir par\u00e7a olarak konumlan\u0131rken, etraf\u0131ndaki dijital yans\u0131malar ise bilginin buradan yay\u0131ld\u0131\u011f\u0131n\u0131 vurguluyor.<\/p>\n

NURETT\u0130N ZENG\u0130\u2019DEN YUNUS EMRE\u2019YE<\/strong><\/p>\n

Giderken neyle kar\u015f\u0131la\u015faca\u011f\u0131m\u0131 bilmedi\u011fim, a\u00e7\u0131l\u0131\u015f\u0131na kat\u0131ld\u0131\u011f\u0131mda ise ge\u00e7mi\u015fi ve bug\u00fcn\u00fc modern bir \u00fcslupla bulu\u015fturan muazzam bir \u00e7al\u0131\u015fmayla kar\u015f\u0131la\u015ft\u0131\u011f\u0131m sergi, bug\u00fcne kadar g\u00f6rd\u00fc\u011f\u00fcm ve medeniyetin izini s\u00fcren sergiler aras\u0131nda \u2018kompleksiz dili ile\u2019 bir ad\u0131m \u00f6ne \u00e7\u0131k\u0131yor. K\u00fcrat\u00f6r T\u00fct\u00fcnc\u00fc, sergi giri\u015finde ziyaret\u00e7ileri \u015fehrin sokaklar\u0131nda akan bilgiyi toplay\u0131p, galerinin merdivenlerinden salonlar\u0131na aktaran \u2018dijital bir veri hatt\u0131\u2019 ile kar\u015f\u0131layarak, ilk ad\u0131mda \u015fehrin haf\u0131zas\u0131n\u0131n zenginli\u011fine dair \u00e7arp\u0131c\u0131 bir g\u00f6nderme yap\u0131yor. Serginin b\u00fct\u00fcn\u00fcnde modern, teknolojik bir dil kullanan T\u00fct\u00fcnc\u00fc, galeri kat\u0131nda yer alan 10 eserde medeniyetimizin kurucular\u0131n\u0131 ve klasik mesajlar\u0131n\u0131 dijital monit\u00f6rlerle ziyaret\u00e7iler i\u00e7in adeta g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor. Odalarda yer alan enstalasyon \u00e7al\u0131\u015fmalar\u0131nda ise izleyicileri galeri kat\u0131nda ald\u0131\u011f\u0131 bu mesajlar\u0131 i\u00e7selle\u015ftirece\u011fi muazzam bir deneyim bekliyor. Medeniyetimizin Sel\u00e7uklu\u2019dan Osmanl\u0131\u2019ya ve bug\u00fcne, Nurettin Zengi\u2019den Matrak\u00e7\u0131 Nasuh\u2019a, Yunus Emre\u2019den \u015eeyh Galib\u2019e, Nasreddin Hoca\u2019dan S\u00fcleyman \u015eah\u2019a pek \u00e7ok \u00f6r\u00fcnt\u00fcs\u00fcn\u00fc kullanan T\u00fct\u00fcnc\u00fc, serginin son ad\u0131m\u0131ndaki \u2018Zengi\u2019nin D\u00fc\u011f\u00fcm\u00fc\u2019 enstalasyonunda ise sergi boyunca birbirinden ba\u011f\u0131ms\u0131z g\u00f6r\u00fcnen b\u00fct\u00fcn mesajlar\u0131 birle\u015ftirerek ziyaret\u00e7iyi \u201cBiz bu medeniyetin hala i\u00e7inde miyiz, yoksa d\u0131\u015f\u0131nda m\u0131?\u201d sorusuyla ba\u015f ba\u015fa b\u0131rak\u0131yor. \u00d6zetle, sergiyi ziyaret edenlerin zihnine modern bir \u2018zengi d\u00fc\u011f\u00fcm\u00fc\u2019 at\u0131yor.<\/p>\n

Sergide Anakart, Tamgalar, \u015eehir Kodlar\u0131, Piksel Dokuma, Kurucular, Evren \u015eemas\u0131, \u0130\u015flemek, Medrese, Kitabe, Yaymak gibi 10 ba\u015fl\u0131kta izleyiciye sunulan eserlerin yan\u0131 s\u0131ra S\u00f6z, Yank\u0131, Metin Kodlar\u0131 ve Zengi D\u00fc\u011f\u00fcm\u00fc enstalasyonlar\u0131 izleyici ile bulu\u015fuyor. Sel\u00e7uklunun ba\u015fkenti Konya\u2019da bin y\u0131ll\u0131k tarihimizin izini s\u00fcren ve bilginin, medeniyetimizin yitip gitmedi\u011fini, hala kar\u015f\u0131m\u0131zda durdu\u011funu dijital bir \u00fcslupla hat\u0131rlatan sergi bir y\u0131l boyunca ziyaret edilebilecek.<\/p>\n

\u2018DEPO NO 4 KONYA\u2019NIN \u0130LK SANAT GALER\u0130S\u0130\u2019<\/strong><\/p>\n

Depo No 4 Sanat Y\u00f6netmeni Hacer Ye\u011fin ile de binan\u0131n galeriye d\u00f6n\u00fc\u015fme s\u00fcrecini konu\u015ftuk. K\u00fclt\u00fcr sanat d\u00fcnyas\u0131n\u0131n D\u00fcnya Bizim Genel Yay\u0131n Y\u00f6netmenli\u011fi g\u00f6revinden tan\u0131d\u0131\u011f\u0131 Ye\u011fin, binan\u0131n restorasyonunun 2022\u2019de ba\u015flad\u0131\u011f\u0131n\u0131, bu restorasyonunun tamamlanmas\u0131n\u0131n ard\u0131ndan da ilk sergisi ile a\u00e7\u0131l\u0131\u015f\u0131n\u0131 yapmaktan b\u00fcy\u00fck mutluluk duyduklar\u0131n\u0131 kaydetti.<\/p>\n

Ayn\u0131 zamanda mimar olan Ye\u011fin, binan\u0131n d\u00f6n\u00fc\u015f\u00fcm s\u00fcreci hakk\u0131nda \u015funlar\u0131 s\u00f6yledi: \u201cTekel binalar\u0131n\u0131n d\u00f6n\u00fc\u015f\u00fcm hikayesi bir trend art\u0131k. Bu bina ilk modern Cumhuriyet d\u00f6neminin karakteristik \u00f6zelliklerini ta\u015f\u0131yor. Mekan\u0131n kendi d\u00f6n\u00fc\u015f\u00fcm hikayesini reel bir ger\u00e7eklikle korumak ve mekan ile insan ili\u015fkisini sa\u011fl\u0131kl\u0131 bir \u015fekilde kurmak istedik. Mekan mimar \u00d6mer Sel\u00e7uk Baz taraf\u0131ndan restore edildi. Belediye Ba\u015fkan\u0131m\u0131z U\u011fur \u0130brahim Altay iradesini bu mekan\u0131 bir sanat galerisi olarak kullanmaktan yana kulland\u0131. Bu da Konyal\u0131lar i\u00e7in b\u00fcy\u00fck bir kazan\u0131m oldu, hem \u015fehrimizin sanat\u00e7\u0131lar\u0131n\u0131 hem sanatseverleri bir araya getirmek \u00fczere do\u011fal bir hinterland olu\u015ftu.\u201d<\/p>\n

Ye\u011fin, ilk sergi hakk\u0131nda ise \u201cSerginin haz\u0131rl\u0131k s\u00fcreci yakla\u015f\u0131k 1,5 y\u0131l s\u00fcrd\u00fc. Depo No 4 Konya\u2019n\u0131n ilk sanat galerisi. \u015eu anki medeniyet temal\u0131 sergimiz de bu mekan\u0131 do\u011fru bir yerden ba\u015flatmak ve gelece\u011fi ad\u0131na \u00f6nemli bir fikir veriyor\u201d g\u00f6r\u00fc\u015f\u00fcn\u00fc payla\u015ft\u0131. Sergi a\u00e7\u0131l\u0131\u015f\u0131nda ayr\u0131ca Prof. Dr. Ha\u015fim \u015eahim\u2019in moderat\u00f6rl\u00fc\u011f\u00fcnde bir de panel ger\u00e7ekle\u015fti. Panelde k\u00fcrat\u00f6r T\u00fct\u00fcnc\u00fc\u2019n\u00fcn yan\u0131 s\u0131ra, Prof. Dr. Abdurrahman Aliy, Prof. Dr. Z\u00fchal T\u00fcrkda\u015f ve Prof. Dr. Sadullah G\u00fclten serginin haz\u0131rl\u0131k s\u00fcreci ve ele ald\u0131\u011f\u0131 konular hakk\u0131nda birikimlerini dinleyicilerle payla\u015ft\u0131.<\/p>\n

\u2018NOSTALJ\u0130 YAPMIYOR \u0130NSANLI\u011eIN \u0130HT\u0130YACI OLAN MEDEN\u0130YET\u0130 HATIRLATIYORUZ\u2019<\/strong><\/p>\n

Sergi a\u00e7\u0131l\u0131\u015f\u0131nda konu\u015ftu\u011fum k\u00fcrat\u00f6r Yasin T\u00fct\u00fcnc\u00fc, \u00f6ncelikle mekan\u0131n ad\u0131na de\u011finerek, temelde \u015fehrin bilgi ve birikiminin depoland\u0131\u011f\u0131 bir mekan olarak zihninde konumland\u0131\u011f\u0131n\u0131 vurguluyor. T\u00fct\u00fcnc\u00fc, serginin merkezine yerle\u015ftirdi\u011fi \u2018zengi d\u00fc\u011f\u00fcm\u00fc\u2019 \u00fczerine \u015fu bilgileri verdi:<\/p>\n

\u201cSergiyi k\u00fclt\u00fcr\u00fcm\u00fczde \u00e7ok \u00f6zel bir yeri olan \u0130nce Minare\u2019nin \u00fczerinde yer alan zengi d\u00fc\u011f\u00fcm\u00fc \u00fczerine konumland\u0131rd\u0131k. D\u00fc\u011f\u00fcm \u00f6ncelikle kelime olarak bizim i\u00e7in \u00e7ok \u00f6zel bir kelime. S\u00f6z bo\u011faz\u0131m\u0131za d\u00fc\u011f\u00fcmlenir mesela, bazen i\u00e7imize, bazen kalbimize d\u00fc\u011f\u00fcmlenir ama bir \u00e7e\u015fit kesinli\u011fi ifade eder. D\u00fc\u011f\u00fcm ayr\u0131ca bir d\u00f6nem T\u00fcrklerin \u00f6zellikle hal\u0131 kilim gelene\u011finde de var olan, bu hal\u0131lar \u00fczerinden art\u0131k T\u00fcrklerle hemhal olmu\u015f \u015feydir. Nurettin Zengi d\u00fc\u011f\u00fcm\u00fc de de yaln\u0131z \u0130nce Minare\u2019de de\u011fil \u015eam, Suriye gibi \u015fehirlerde de medeniyetimize dair at\u0131lm\u0131\u015f bir imzad\u0131r. Zengi hatta Kud\u00fcs i\u00e7in de bir d\u00fc\u011f\u00fcml\u00fc minber yapt\u0131r\u0131yor, Konya\u2019ya b\u0131rak\u0131yor, sonra Selahaddin Eyyubi al\u0131p onu Kud\u00fcs\u2019e g\u00f6t\u00fcr\u00fcyor.<\/p>\n

Bir y\u00f6nleriyle \u00e7ok felsefi, iddial\u0131, manidar, bug\u00fcn\u00fcn tarifiyle s\u00f6yleyecek olursak bir bilgisayar\u0131n merkezinde yer alan ana karttaki \u00e7ip gibi bir yaz\u0131l\u0131m diyebiliriz bu d\u00fc\u011f\u00fcmler i\u00e7in. Ve bu d\u00fc\u011f\u00fcmlerin yani medeniyetimizin yaln\u0131z ge\u00e7mi\u015fe de\u011fil gelece\u011fe de seslendi\u011fini g\u00f6r\u00fcyoruz.\u201d T\u00fct\u00fcnc\u00fc, sergide \u2018medeniyet nostaljisi\u2019 yapmad\u0131klar\u0131n\u0131 vurgulayarak, \u015funlar\u0131 kaydetti: \u201cBug\u00fcn Gazze\u2019de olan \u015feyler bize Bat\u0131 medeniyetinin bir medeniyet olmad\u0131\u011f\u0131n\u0131 g\u00f6sterdi. \u00c7\u00fcnk\u00fc medeniyet dedi\u011fimiz \u015fey insan\u0131 ya\u015fat\u0131r, \u015fehirler in\u015fa eder. Ama bug\u00fcnk\u00fc vah\u015fi uygulamalar medeniyet denilen bir uygarl\u0131k taraf\u0131ndan sergileniyor. Bir h\u00fckmetme tasavvuru, bir medeniyet de\u011fil asl\u0131nda. Biz insan\u0131, ya\u015fam\u0131 tefekk\u00fcr \u00fczerinden alg\u0131layan ve o alan\u0131 a\u00e7an, o istikameti \u00fcreten medeniyeti sadece \u0130slam medeniyetinde g\u00f6r\u00fcyoruz. Burada nostaljik bir medeniyet sunumu yapm\u0131yoruz. \u0130htiyac\u0131m\u0131z olan \u015feyin burada var oldu\u011funu ve eksikleri tamamlarsak bu fonksiyonun \u00e7al\u0131\u015fmaya ba\u015flayaca\u011f\u0131n\u0131 ve d\u00fcnyan\u0131n ihtiyac\u0131 olan \u015feyi kar\u015f\u0131layaca\u011f\u0131n\u0131 ifade ediyoruz. Bu sergi k\u0131saca, bu nereden ba\u015flayacak sorusunun cevab\u0131. Bunun izlerini g\u00f6r\u00fcyoruz, gelenekseli dijitalle birle\u015ftirdi\u011fimiz bir dille sunuyoruz.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

(The Turkish Post) \u2013 Konya B\u00fcy\u00fck\u015fehir Belediyesi, \u015fehir merkezinde bulunan 18\u2019inci y\u00fczy\u0131l yap\u0131s\u0131 olan ve Cumhuriyet d\u00f6neminde Tekel binas\u0131 olarak kullan\u0131ld\u0131ktan sonra uzun s\u00fcre at\u0131l kalan tarihi yap\u0131y\u0131 restore ederek, k\u00fclt\u00fcr hayat\u0131na kazand\u0131rd\u0131. Konya\u2019n\u0131n me\u015fhur Alaaddin Tepesi\u2019nin kar\u015f\u0131s\u0131nda konumlanan yap\u0131 art\u0131k \u2018Depo No 4\u2019 ad\u0131yla, Konya\u2019n\u0131n en kapsaml\u0131 galerisi olarak sanatseverlere hizmet edecek. Konya B\u00fcy\u00fck\u015fehir […]<\/p>\n","protected":false},"author":5,"featured_media":58620,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jnews-multi-image_gallery":[],"jnews_single_post":{"source_name":"Karar","source_url":"","via_name":"","via_url":"","override_template":"0","override":[{"template":"1","single_blog_custom":"","parallax":"1","fullscreen":"1","layout":"right-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"topbottom","share_float_style":"share-monocrhome","show_share_counter":"0","show_view_counter":"0","show_featured":"1","show_post_meta":"1","show_post_author":"0","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"0","show_post_reading_time":"1","post_reading_time_wpm":"300","show_zoom_button":"1","zoom_button_out_step":"4","zoom_button_in_step":"4","show_post_tag":"1","show_prev_next_post":"0","show_popup_post":"1","number_popup_post":"2","show_author_box":"1","show_post_related":"1","show_inline_post_related":"0"}],"override_image_size":"0","image_override":[{"single_post_thumbnail_size":"crop-715","single_post_gallery_size":"crop-500"}],"trending_post":"0","trending_post_position":"meta","trending_post_label":"Trending","sponsored_post":"0","sponsored_post_label":"Sponsored by","sponsored_post_name":"","sponsored_post_url":"","sponsored_post_logo_enable":"0","sponsored_post_logo":"","sponsored_post_desc":"","disable_ad":"0"},"jnews_primary_category":{"id":"2282","hide":""},"jnews_override_bookmark_settings":{"override_bookmark_button":"0","override_show_bookmark_button":"0"},"jnews_social_meta":{"fb_title":"","fb_description":"","fb_image":"","twitter_title":"","twitter_description":"","twitter_image":""},"jnews_override_counter":{"override_view_counter":"0","view_counter_number":"0","override_share_counter":"0","share_counter_number":"0","override_like_counter":"0","like_counter_number":"0","override_dislike_counter":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[2282,1],"tags":[466,13368,13366,13367],"class_list":["post-58619","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","category-son-haberler","tag-konya","tag-sanat-galerisi","tag-tarihi-tekel-binasi","tag-ugur-ibrahim-altay"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.turkishpost.net\/ar\/wp-json\/wp\/v2\/posts\/58619","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.turkishpost.net\/ar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.turkishpost.net\/ar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.turkishpost.net\/ar\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.turkishpost.net\/ar\/wp-json\/wp\/v2\/comments?post=58619"}],"version-history":[{"count":0,"href":"https:\/\/www.turkishpost.net\/ar\/wp-json\/wp\/v2\/posts\/58619\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.turkishpost.net\/ar\/wp-json\/wp\/v2\/media\/58620"}],"wp:attachment":[{"href":"https:\/\/www.turkishpost.net\/ar\/wp-json\/wp\/v2\/media?parent=58619"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.turkishpost.net\/ar\/wp-json\/wp\/v2\/categories?post=58619"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.turkishpost.net\/ar\/wp-json\/wp\/v2\/tags?post=58619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}